Gao Qipei (1660–1734) was a groundbreaking artist in eighteenth-century China. Gao advocated the abandonment of traditional painting rules and conventions, such as using paint brushes, and he embraced the use of his hands. Gao used his fingers, nails, palms, and the backs of his hands to paint. Thus Gao created a range of sharp or rugged, sometimes crumbling, irregular, and unpredictable lines—initiating a virtual revolution in Chinese painting style. His method of painting strongly influenced later painters, including the minimalism of the Qing Individualists and the bird and animal paintings of the well-known Eccentrics of Yangzhou. This exhibition showed forty-one Gao Qipei paintings from museums in Liaoning Province, consisting of both hanging scrolls and album leaves.

Discarding the Brush: Gao Qipei, 1660-1734
弃笔:高其佩与18世纪的中国指画
April 17 – June 12, 1993
Curated by Klaas Ruitenbeek
Selections from the exhibition organized by the Rijksmuseum, Amsterdam, Netherlands; paintings on loan from the Liaoning Provincial Museum and the Shenyang Palace Museum in Shenyang, China; catalogue published by Snoeck-Ducaju & Zoon, Gent; copyright 1992 by Rijksmuseum Amsterdam / Snoeck-Ducaju & Zoon, Gent
Media Coverage
- China Times Weekly News
- The New Yorker
- World Journal 世界日报
Related Programs
- Curator’s Lecture: Klaas Ruitenbeek, “Alternative Methods in Chinese Painting” (April 20, 1993).
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